“We are pleased to present ‘Hallways’ the third full length from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill [...]
Australian outfit Death Bells return with their sophomore album, New Signs of Life. Nine Captivating tracks for fans of eighties indie, classic antipodean new wave, and turn of the century […]
Tabloid formed in Northern California in 2011 exploring growing repetition and sustained tones. It is comprised of Philip Geraldi (Shock Tropics, Mystics in Bali) and Luke Molloy (Piles, Anxient [...]
“The fourth album that Samara Lubelski and Marcia Bassett have recorded as a duo — the second for us, following 2017’s Live NYC (FTR 302LP) — is much less […]
Bedroom music” as a genre is perhaps questionable, and yet when first hearing the cassette that these songs were originally released on, this was the thought that I was fixated […]
“Nimble, persuasive, and brisk, these ten songs bounce along with a charm and directness that’s entirely unprecedented in Eric’s 20+ year career. The evocative, carnival loops [...]
Debut from this Belgian duo. Like the dark solitary figure which adorns the cover, NDE are shrouded in mystery and desolation. No website. No social media. No contact details. The […]
Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, [...]
“After a steady decline in both inspiration, mental stability, and commercial appeal throughout the second half of the ’70s, metal icons Black Sabbath were reborn with 1980’s [...]
Regularly heralded as a flop meet up of Sabbath & Deep Purple frontman Ian Gillan, I think Born Again rocks. The weird 80s production doesn’t help my case at all, […]
“Prior to Lovedrive’s recording, the Scorpions’ lineup had a major change when their lead guitarist, Uli Jon Roth, quit the group (not to mention, the rock genre was rapidly [...]
“Shout at the Devil displays Mötley Crüe’s sleazy and notorious (yet quite entertaining) metal at its best. When compared to its predecessor, Too Fast for Love, one can see that […]