“At just 22 years old, Sequoyah Murray is crafting the kind of concise, singular musical statements that many artists strive for their whole careers. His mutant brand of modern soul […]
Two months after the recent ‘Aerosol Can Stand’ 7”, James Fella’s long-running group Soft Shoulder returns with 10 tracks recorded throughout 2018-2019 at various live performances, at their [...]
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los […]
Australian outfit Death Bells return with their sophomore album, New Signs of Life. Nine Captivating tracks for fans of eighties indie, classic antipodean new wave, and turn of the century […]
“Nimble, persuasive, and brisk, these ten songs bounce along with a charm and directness that’s entirely unprecedented in Eric’s 20+ year career. The evocative, carnival loops [...]
“Come When The Raven Calls is the second album by Suzanne Langille and Neel Murgai after more than two decades performing together. Langille fuses the rawness of American spiritual blues [...]
Debut from this Belgian duo. Like the dark solitary figure which adorns the cover, NDE are shrouded in mystery and desolation. No website. No social media. No contact details. The […]
Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, [...]
“After a steady decline in both inspiration, mental stability, and commercial appeal throughout the second half of the ’70s, metal icons Black Sabbath were reborn with 1980’s [...]
Regularly heralded as a flop meet up of Sabbath & Deep Purple frontman Ian Gillan, I think Born Again rocks. The weird 80s production doesn’t help my case at all, […]
“Prior to Lovedrive’s recording, the Scorpions’ lineup had a major change when their lead guitarist, Uli Jon Roth, quit the group (not to mention, the rock genre was rapidly [...]
“Shout at the Devil displays Mötley Crüe’s sleazy and notorious (yet quite entertaining) metal at its best. When compared to its predecessor, Too Fast for Love, one can see that […]