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John Cage’s ‘Organ2/ASLSP’, Slowing Down, and Artistic Longevity
Recently, I was trying to look up a specific topic related to John Cage in Google News and was having trouble getting results. I searched simply “john cage” to see […]
August 29, 2024
“Tens and Tens of Miles”: Atwater-Donnelly – Hope Pond, Scituate, RI – July 24, 2024
The first show I probably ever went to was the folk duo Atwater-Donnelly, who were based out of my hometown of Scituate, Rhode Island from 1989 to 1997. I would’ve […]
August 29, 2024
No One Was Decapitated: The Drin, The Sheaves, Nick Maurer & The Grocers – Feel It Records, Cincinnati, OH, July 16, 2024
Today’s show report will come full circle on a singular ceiling fan. More on that in a moment. Last Tuesday, I went to my first Feel It Records in-shop show […]
July 28, 2024
My Common Tones with Alan Licht: A Personal Essay
A few weeks ago, I read the announcement that the guitarist and writer Alan Licht is releasing a solo album on VDSQ this fall, titled Havens. My excitement nearly took […]
July 19, 2024
“A Couple of Reams of Paper”: Black Arts and The Revolutionary Written Words of ‘The Cricket’
I always find myself very fascinated by musicians that put pen to paper and discuss music and its cultural implications in prose (see: my post on Vivien Goldman from last […]
July 11, 2024
Private Press, Master Wilburn Burchette, and the Allure of the Enigmatic
For a while now, I’ve wanted to ruminate on why private press records have such an allure in this day and age. There are obvious charms to private press records […]
June 19, 2024
“Defiant Jazz”: Corporate Culture, Irony, and Joe McPhee
As per usual, I start off planning my blog posts with one concept or topic in mind, and about halfway through the process, I stumble across something that causes me […]
May 16, 2024
Heavenly Highways: A Conversation with Worried Songs
I’m excited to bring another Q&A style interview to the blog, as I realize it’s been a long time since I’ve posted one here. This time around, I had the […]
May 3, 2024
“That Magical Empathy”: Atrás del Cosmos and Free Improvisation in Mexico
In Tamar Barzel’s chapter for Experimentalisms in Practice: Music Perspectives from Latin America on Atrás del Cosmos, a group often considered the first free jazz ensemble in Mexico, she aptly […]